From March 12 to July 17, 2011 at the Palazzo Strozzi in Florence will be an exhibition and angry young Picasso, Miró, Dalí.
The exhibition is dedicated to the early work of Picasso, Miró and Dalí, artists have played a decisive role in the beginnings of modern art. The exhibition examines the pre-Cubist Picasso between 1900 and 1905, while works by Juan Miró between 1915 and 1920 are presented in close comparison to those of Salvador Dali in the five years 1920-1925, for highlight the stylistic differences and relations that characterize the period before accession of the two artists to the poetics of surrealism. Each artist will be
represented by a large group of works selected to investigate specific aspects of the early work, works that are rarely exposed to the public and yet dense with implications and suggestions for future developments.
Picasso's first production is profoundly influenced by the political beliefs of the artist: Picasso in Madrid in 1901 founded the magazine Arte Joven "illustrated with images that often ruthless, in which solidarity with the conditions of the proletariat. Even
Miró, convinced that art was primarily a political tool, refused figurative painting as an expression of cultural identity of the dominant classes. He also played the second cubism this perspective: is known the term "destroy their guitars," referring to the first Cubist paintings of Picasso and Braque.
Much younger than Picasso, Miró, Dalí was expelled from the Academy in 1926, shortly before his final exams, for saying that no one in the faculty was competent enough to examine it. Just complete mastery of painting techniques characterizes his early work, like the girl at the window of 1926 painted a clear language of realism.
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